One of my all time favorite records, and lyrical masterpieces of our time, was retrieved from the garbage can of a dead man.
I suppose there was a shred of mystery surrounding Elliott Smiths death, but for me, there was never any doubt. There was this link between us, Eliot and me, a link that made me certain of what happened. We were kindred spirits and I felt his pain. There was never any doubt that he took his own life.
As for the album itself, most beautifully titled From a Basement On The Hill, it taught me a lot of things. It’s clear from his words and actions that Elliott absolutely hated the album, and I firmly believe it was that hate, pared with his drug addiction and depression that made him drive that letter opener into his heart.
That happens sometimes when you’re creating stuff. You get stuck in that place of loathing, the place where you’ve lost the glorious view of what you set out to create and haven’t made it back up to a place where you can see the beauty of what you’ve accomplished. Your mind gets lost in its own depths, far from all perspective, and further from being finished than when you started.
I call it the valley of hate, and it makes me thing of Elliott Smith every time I get stuck there. It’s been happening lately, with the book I’m finishing. I hate it, I cant stand it, and I’m not saying the letter opener is calling my name, but the delete button certainly is.
But then, you think of all the great works of art that were literally pried out of the hands of their creators. The ghost of dissatisfaction is one that’s always hunted artist.
You don’t even have to go into the threads history to see this function of humanity. All those times we had to talk our multi talented friends down from the ledge, all of those times I talked my grammy into just putting the pot-roast on table instead of in the trash can.
When we spend too much time on stuff, we lose touch with what other people see. We obsess about flaws that only exist in our head. This is a known fact, not a new realization!
So then, the only remaining question becomes painfully obvious.
How long do we make the same mistakes? How many times do we let out creative spirit run us down into the valley of hate? Never mind the feelings, they do not reflect on our works. They are irrelevant.
The only sensible thing is just to power through the low part, finish and then evaluate the product.
Elliott Smith taught me a lot of things. That is what an artist is supposed to do. For me that’s the true measuring stick of art and artistic expression.
It makes little difference to me that most of the things he taught were on how to not do things.
